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'Role of women freedom fighters needs to be made more enduring'
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VISHNU MAKHIJANI (Source: IANS) | 16 Aug, 2022
While the role of women in the freedom struggle has been "highlighted to
a very large extent" of late, a lot more needs to be done to "make
their stories more enduring" as tokenism in the name of issuing
commemorative stamps or naming programmes in their memory "may not be
enough", says multi-dimensional author Anu Kumar in a new book that
vividly recreates the lives of 35 women who relentlessly fought for
India's Independence.
"I'd think in recent decades their
role has been highlighted to a very large extent. Historians of gender,
social scientists have brought to light stories of heroism on the part
of women from varied regions of India," Kumar told IANS in an interview
of her book, "Her Name Was Freedom - 35 Fearless Women Who Fought For
Indian Independence" (Hachette), adding: "Sometimes though just issuing
stamps and naming a programme in their memory may not be enough."
"As
for permanency, maybe there should be more of them in school textbooks;
and more books about them, certainly - their stories added (not
substituted) to the wider struggle by many others. And maybe films,
podcasts, series on them too. Everything that's possible to make their
stories enduring, really.
"If more women's stories were highlighted, maybe this world would be a peaceful, kinder place, I daresay," Kumar elaborated.
Thus,
it was not surprising that she "jumped at the offer" when her Hatchette
editor, Vatsala Kaul-Banerjee, with whom she's worked for a long time,
asked her if she'd "like to work on something like this".
"It was
simply too exciting, I knew I'd love doing the research that it
involved, to bring alive the period of our freedom struggle, to bring to
life these women who were involved in it as much as the men, and who
somehow, or in some cases, were seen as secondary to the movement,"
Kumar explained.
A considerable amount of research went into the writing of the book.
"I looked up primary accounts: the memoirs written by the likes of
Kamaladevi Chattopadhyay, Durgabai Deshmukh, Qudsia Rasul, Kalpana
Dutta, Vijaya Lakshmi Pandit, and others, for these evoke that period
and time most vividly, and other accounts by their peers, such as Yusuf
Meherally writing about Aruna Asaf Ali, for example, some newspaper
accounts of the time, and then later secondary accounts, work by
historians and writers," Kumar said.
Is there a common strain
running through the women featured in the book that explains what
motivated them to stand up and be counted?
"There was this
realization for all these amazing women that political freedom could not
come without emancipation on all fronts -- the upliftment of women, the
marginalized sections. Freedom didn't just mean end of British rule,
but an end to oppressive social customs, including caste inequities as
well," Kumar said.
Thus, in this book, the reader will come
across a brave queen of Avadh who led her kingdom during an uprising, a
73-year-old freedom fighter who stood her ground against British
soldiers, a fearless teen hero from Nagaland who defended the rights of
her community, and many more.
Bravely setting out from their
homes, these homemakers and princesses, politicians and poets, doctors
and artists, and lawyers and educationists marched in protest, starved
on hunger strikes, rallied supporters, went to jail and led from the
front. From Sarojini Naidu to Matangini Hazra, from Aruna Asaf Ali to
Rani Gaidinliu, from Muthulakshmi Reddi to Hansa Mehta, and from Annie
Mascarene to Vijaya Lakshmi Pandit, they showed amazing courage in
breaking their shackles and facing grave challenges to liberate the
country.
Given that besides writing for children, Kumar also
writes historical fiction for older readers and that she has immersed
herself in history for most of her life, having studied the subject in
college and later at university, this explains the wide swathe of time
the profiles cover
"It's been a journey of varied writing
experiences, and I am still learning. I was in the editorial section of
the Economic and Political Weekly, my first novel ('Letters for Paul')
came in 2006, and my first book for younger readers, 'Atisa and the
Seven Wonders' appeared in 2008. So all these varied writing experiences
have helped me learn, and I still like this journey I am on," Kumar
elaborated.
How did the writing bug 'bite' her?
"It's
quite a long journey, or so I feel. I wasn't bitten actually but was
kind of swept along. I remember a boring job as a management consultant
where one had to do nothing but rehash old reports (largely) and I wrote
stories switching tabs as and when no one was looking.
"I wrote a
book of short stories that P Lal at Writers' Workshop accepted and this
was 2002. And I'll never forget the kind encouragement that came my way
from Shama Futehally, Pankaj Mishra, Kiran Nagarkar, and Suguna
Ramanathan, and so many others really. My first editors at a place
called Amritabharati in Mumbai where I began writing for younger readers
were strict and indulgent," Kumar said.
How does she strike a balance between writing for children and writing historical fiction for older readers?
"Most
of my writing for younger readers has involved history, actually. And I
feel it's been useful, helping them imbibe a historical sense, i.e., to
see things in context of that time, rather than with hindsight. We'd be
a lot kinder to each other then.
"As for balance: both kinds of
writing involve rigorous research. I might say writing for younger
readers is somewhat challenging for one has to explain complexities or
crunch too much in too little but I think younger readers come with
greater acceptance and perceptiveness too.
"I like the opportunities I've got really; I hope I am accepted too for all that I write," Kumar maintained.
What next? What's her next book going to be on?
"A work of historical crime set in 1890s Bombay; next year, I think," Kumar concluded.
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